Hearthville Serial: Book 6 – Episode 11 (now in script form) The mentally tortured Victor Duddley considers doing the unthinkable. Then driving, he stops so as to not run over a squirrel. He can’t remember the past. He is not certain of the future. And there are forces at work that he does not understand. Any Truth, Proper Grammar, or Correct Spelling is totally coincidental if not accidental. All suggested music is for entertainment only & no contracted rights suggested for any project. No project is currently in the works. By Charles Peters Copyright 2020 All Rights Reserved
FADE IN: EXT: FLY OVER VIEW OF LAKE – DAY Boats can be seen on the lake. The sun shining on ripples of the lake water can be seen. A fish jumping can be seen. Then music begins to play. The music is The All-American Rejects – “Demons” [promotion – All American Rejects – Demons on Amazon]
Episode 11
All characters are fiction. This story is fiction. This story makes no claims about any real person.
Chapters / Episodes
EXT: FLY OVER VIEW OF LAKE - DAY
Boats can be seen on the lake. The sun shining on ripples
of the lake water can be seen. A fish jumping can be seen.
Then music begins to play. The music is The All-American
Rejects - "Demons"
EXT: FLY OVER FROM LAKE TO THE DUDDLEY HOME - DAY
We see the streets below. Cars. People. Then the Duddley
Home. Then up to outside of Victor Duddley's bedroom
window.
INT: DUDDLEY HOME, VICTORS BEDROOM - DAY
Victor is removing the glock handgun from the bedstand next
to his bed. Focus on gun in his hand. Focus on his face and
expression. Sad. Focus on the green army style green pants
he is wearing. He puts gun in pants pocket. He exits his
bedroom.
EXT: DUDDLEY HOME, AT VICTOR'S MUSTANG - DAY
The glock handgun can be seen in he bulge of his pants
pocket. He crawls into his mustang. He drives off.
INT: VICTOR DUDDLEY'S MUSTANG CAR - DAY
Focus on Victor's face. Focus on Victor's hands on the
steering wheel. Same music continues to be heard in
background.
INT: RACHEL RAMSEY'S MANSION, ATTIC (FLASHBACK)
Focus on piano. From there move to show Jossette Ogleby.
Start with her face. Move down to show her nude form. Show
Victor Duddley's face. Expression. Happy.
Lust. Move
down to show his nude form.
INT: VICTOR DUDDLEY'S MUSTANG CAR - DAY (BACK TO PRESENT)
VICTOR DUDDLEY continues to drive. Then he glances over to
the passenger seat. The ghostly image of his alter
personality VICTOR GEORGE is sitting there.
VICTOR GEORGE DUDDLEY
Victor, what are you doing?
VICTOR DUDDLEY
Apparently having a nervous
breakdown.
VICTOR GEORGE DUDDLEY
You must not think back to that
day. Don't try to remember. Just
leave what happened to the past.
VICTOR DUDDLEY
Mark was there. Why was Mark
there?
VICTOR GEORGE DUDDLEY
I told you, stop trying to
remember.
VICTOR DUDDLEY
I hate him so much.
VICTOR GEORGE DUDDLEY
You don't hate Mark or as he calls
himself now, Steed.
VICTOR DUDDLEY
I want him to stay the hell away
from Judy. He did not tell us who
he is.
VICTOR GEORGE DUDDLEY
He loves you.
VICTOR DUDDLEY
Even the more reason he should stay
the hell away from Judy.
VICTOR GEORGE DUDDLEY
You never had sex with Mark.
VICTOR DUDDLEY
Let me remember what happened.
VICTOR GEORGE DUDDLEY
No. I will not let you remember.
I will tell you that Judy and Mark
are two consenting adults and you
are being an ass.
Victor slams on brakes as a squirrel runs across the road.
Focus on foot hitting brakes. Focus on squirrel running
back and forth and then out of the road. Focus on Victor
with his eyes closed. Then he opens his eyes. He
looks
over at the passenger seat. Victor George is no longer
there.
VICTOR DUDDLEY
Why do I hurt? I am physically
hurting. And I feel so much anger.
Why?
Victor pulls the glock from his pocket. He looks at it.
VICTOR DUDDLEY
Is the only way I can stop the
pain, is to kill myself?
VICTOR GEORGE DUDDLEY (O.S.)
Stop being stupid. The pain will
end when you stop trying to
remember. Also, for your
information, I am horny. Let us go
to a bar and see if we can meet
someone.
EXT: HEARTHVILLE GARAGE - DAY
STEED RAMSEY drives to the parking in the back of the
garage. The parking area is surrounded by trees.
Near the
garage is a dumpster. Steed parks near the
dumpster. He
gets out of his truck and sees Trudy Jackson getting out of
another truck.
TRUDY JACKSON
My truck is still breaking down on
me.
STEED RAMSEY
Sorry.
TRUDY JACKSON
Either get my truck to working
right or give me a refund.
STEED RAMSEY
I fix one problem and another
problem develops, the garage does
not allow refunds. If I work on
your truck any more, it is going to
cost you.
Trudy's daughter, SARAH KELLY, pulls up.
TRUDY JACKSON
He wants to charge me more money to
work on my truck.
SARAH KELLY
(screams out the open
window of her truck)
Fix my mom's truck. You have
already been paid enough.
Trudy opens the door to her daughter's truck. She crawls
into the tuck. They drive off.
Steed Ramsey's phone rings. He answers phone. It is
his
mom RACHEL RAMSEY.
STEED RAMSEY
Hey mom. How is everything?
RACHEL RAMSEY (O.S)
I had a fight with Jossette. She
hates me because of my breaking her
and Victor up.
Steed,changes phone from one ear to the other ear. He
scratches his. He turns around. He looks up toward
the
sky.
STEED RAMSEY
Mom, I am sure Jossette loves you.
Maybe you were dreaming.
RACHEL RAMSEY (O.S)
Dreaming? Maybe. But it seemed
real.
STEED RAMSEY
Mom, I love you. We all love you.
Please know that.
RACHEL RAMSEY (O.S)
And I love you. Someone just came
in. I will talk to you later.
Bye.
STEED RAMSEY
Bye.
Steed disconnects. He holds the phone up to his
head. The
phone rings again. He looks to see the name JUDY DUDDLEY as
the caller. He answerws and puts the phone to his ear.
STEED RAMSEY
Hey Judy.
JUDY DUDDLEY
Hey. Look. I've been thinking. I
do not want to go out tonight.
Maybe some other time.
STEED RAMSEY
When?
JUDY DUDDLEY
I don't know. I am rethinking
things.
STEED RAMSEY
Judy. Please do not break up with
me.
JUDY DUDDLEY
I just need time. Bye.
STEED RAMSEY
Bye.
Steed falls back against his truck. He slides the phone
into his pocket.
EXT: ROAD, VICTOR'S CAR STOPPED - DAY
A horn blows, blows, blows. VICTOR DUDDLEY turns around to
see the car of SELBY JAMES right at his bumper. Selby gets
out of his car and walks up to Victor's window. Victor
pushed the button to let his window down. It makes a noise.
SELBY JAMES
That is kind of fancy. Not part of
the mustang's original equipment.
VICTOR DUDDLEY
What?
SELBY JAMES
The electronic window.
VICTOR DUDDLEY
Yeah. Wasn't planning on selling
to a collector so I got funky with
it.
SELBY JAMES
Yeah. Sure. Are you okay?
VICTOR DUDDLEY
Yeah. Sure. Why?
SELBY JAMES
Because you are parked here in the
middle of the road.
VICTOR DUDDLEY
I stopped for a squirrel to avoid
running over it.
SELBY JAMES
You should have run over it. I
like the feel of the squirrel
beneath my tire.
VICTOR DUDDLEY
You are so evil.
SELBY JAMES
You call me evil. I know what you
did to Rachel Ramsey, and now that
was evil.
VICTOR DUDDLEY
What? I did not do anything to
her.
SELBY JAMES
Sure. That is your story and you
should stick to it, but I know
better. I know what you did.
VICTOR DUDDLEY
What? Tell me.
SELBY JAMES
You know.
VICTOR DUDDLEY
I don't know. I also don't know
what Sally ever saw in you.
SELBY JAMES
I suck pussy really good. I am
also a pretty good cock sucker if
you are ever interested.
VICTOR DUDDLEY
I am not interested.
Victor hits the foot pedal and drives off, leaving Selby
James standing in the road. Selby pulls out his cellphone as
he walks back to his car. He opens the car door and gets
into his car. He closes the car door and scrolls his phone
to the name BUZ HALN. He presses the name and the phone icon
pops up. He presses the phone icon to make a call.
SELBY JAMES
Yo Buz. Did you have any trouble
getting into Rachel's room.
BUZ HALN
No, but that Wade dude saw me
again. He gave me the look. You
know, he does not use me to supply
him drugs to sell any more.
SELBY JAMES
Well, you dumb fuck, you made three
of his clients sick, including
Victor Duddley. If you had done
that to me I probably would have
shot you between the eyes.
BUZ HALN
It was not my fault. It was that
damn Chinese connection I was using
without knowing it.
SELBY JAMES
Yeah, yeah, yeah. So do you think
Wade is going to be a problem.
BUZ HALN
No. He does not know shit. Plus
he is afraid of me. When he sees
me, he walks the other way.
EXT: PARKING LOT, HEARTHVILLE GARAGE - DAY
WADE ESSY pulls into the parking lot up behind STEED
RAMSEY's truck. Steed Ramsey is seated on the tailgate of
the truck with a soda drink to his side and his laptop
computer in his lap. He is looking at the schematics of a
truck's wiring. Wade gets out os his truck and walks up to
Steed.
WADE ESSY
Hey man, I'd been meaning to talk
to you about something and then I
told myself it was nothing. But I
think you should be told.
STEED RAMSEY
What?
WADE ESSY
Mom and I visit the Hearthville
Mental hospital to see Dorothy
Mixby. Her room is not far from
your mom's room. Here is the
thing. I saw a known drug dealer,
Buz Haln, coming out of your mom's
room.
STEED RAMSEY
Crap. Thanks for telling me.
WADE ESSY
In case you ask around, besides
hustling sex, I also sometimes deal
drugs. But I would not do that. I
would not sell stuff to any of the
patients at the hospital.
STEED RAMSEY
Okay. I know your background. I
appreciate you informing on Buz
Haln.
WADE ESSY
Informing!
(sceams)
Informing!!
(voice calms)
I am trying to help you and your
mom. Mostly your mom. I don't
squeal on people.
STEED RAMSEY
(nods)
I am sorry. Wrong word. I am
stupid. Of course I know you are
not an informant. And I do thank
you for giving me a heads up that
my mom may be buying drugs from Buz
Haln.
WADE ESSY
Well, you are welcome. I guess I
should be going.
STEED RAMSEY
Before you go, so you know Bert
Mixby pretty well.
WADE ESSY
Yeah, and his mom, Dorothy. Why?
STEED RAMSEY
He was telling me something about
Selmedox Inc. and Medocseltech Inc.
taking money out of Dorothy's
accounts through some bogus
subscriptions. Do you think that
is drug related? Does Dorothy do
drugs?
WADE ESSY
I don't know about now but in the
past, hell yeah.
STEED RAMSEY
I talked to my aunt and dad about
those two companies but they did
not notice them in any of my mom's
billings. Mom would have to be
paying for the drugss somehow.
WADE ESSY
I don't know. Buz Haln has
connections and his dealings are
not always low level. I once used
him as a supplier until some of my
customers got sick. I mean really
sick. So I don't like the dude.
And to be honest I am a little
afraid of him.
STEED RAMSEY
So he could have access to do
billing through offshore companies?
WADE ESSY
Yeah or his connections would have
that ability.
STEED RAMSEY
Dad and I are trying to stay the
hell out of illegal shit. But if I
have to have Buz Haln roughed up,
then I will.
WADE ESSY
You be careful. Tiffany told me
that she once saw Buz coming out of
what she is pretty sure is a North
Korean safehouse.
STEED RAMSEY
North Korean safehouse?
WADE ESSY
There are some people in the CIA
who provide North Korean criminals
cover. Local police are not
allowed to raid it or anything.
The FBI is not allowed to touch
them. It is weird.
STEED RAMSEY
Why the protection?
WADE ESSY
I don't know. Well. I've got to be
going. Tiffany is going to be all
pissy if I have to call her again
to let her know that I am still
running late.
STEED RAMSEY
Well, again, thanks.
WADE ESSY
Welcome.
Wade gets into his truck and drives off.
EXT: VIEW FROM SKY OF VICTOR DRIVING - DAY
Victor Duddley turns and goes down a sandy dirt road. He
then turns again and drives to where there is a gate to an
old mansion. The iron gates are off their hinges and laying
off to the side in tall weeds. Victor drives beyond the
wall. The driveway circles in front of the old mansion that
is known as Hazel Manor. Victor stops in front of the
mansion.
EXT: ON THE PORCH OF HAZEL MANOR - DAY
Victor Duddley pulls some keys from the pocket of his green
army style pants. He searches through the keys and puts all
but one keyring back into his pocket. He sticks a key in the
lock to one of two large doors. He unlocks the door and
both doors open.
INT: HAZEL MANOR, LIVING ROOM - DAY
Victor enters the mansion and closes the doors behind him.
He flips a lock on the doors. Victor Duddley flips a light
switch next to the doors. A large chandelier lights up
above a large room that has no furniture in it. Victor walks
over to the mantel piece above a fireplace. There is a
portrait of an elderly man hanging above the mantel. On the
mantel is a music box. Victor opens the music box and music
begins to play. As the music plays Victor begins to
transform to look exactly like the portait of the elderly
man. Victor touches a secret button beneath the mantel and
a bookcase next to the fireplace opens to a secret room.
Victor enters the room and the bookcase closes behind him.
INT: HEARTHVILLE MENTAL HOSPITAL, RACHEL RAMSEY'S ROO - DAY
STEED RAMSEY is opening and closing drawers. He is
searching his mom's room for drugs. RACHEL RAMSEY is laying
in her bed. At times she is staring off into space.
At
other times she raises up to watch her son.
Steed Ramsey opens a drawer in a dresser. There is a
picture in the drawer. He pulls the picture from the
drawer. He looks at the picture. The picture is of
the
elderly man that Victor has transformed into.
STEED RAMSEY
Mom, who is this?
Steed Ramsey walks from the dresser to his mom's bed. He
shows her the picture.
RACHEL RAMSEY
(she looks at the picture
in Steed's hand and then
she pushes his hand
away.)
Barnabus Hazel. If you put the
picture back in the drawer and
close the drawer and then open the
drawer and see what happens.
Steed walks back to the dresser. He puts picture back into
the drawer of the dresser. He closes the drawer. He
then
opens the drawer. The picture is gone.
STEED RAMSEY
What the fuck? How is that
possible?
RACHEL RAMSEY
The picture is the product of
witchcraft.
STEED RAMSEY
I don't understand.
RACHEL RAMSEY
There is nothing to understand.
The appearance of the picture
simply means that Barnabus Hazel
will be visiting me in the near
future.
STEED RAMSEY
Who is he to you?
RACHEL RAMSEY
A friend. An enemy. We love each
other. We hate each other.
STEED RAMSEY
I would like to meet him.
RACHEL RAMSEY
If he comes to visit me, I will
mention that to him.
STEED RAMSEY
He is really a witch?
RACHEL RAMSEY
Yes. But dear. So are you.
STEED RAMSEY
I am not.
RACHEL RAMSEY
You once knew. But then the
Witches Council did their thing and
erased certain things from your
memory. They may erase this
conversation from your memory.
STEED RAMSEY
I can not perform any magic.
RACHEL RAMSEY
But you have tried.
STEED RAMSEY
I tried.
RACHEL RAMSEY
Keep trying.
INT: HAZEL MANOR, SECRET ROOM - DAY
Victor, now transformed into BARNABUS HAZEL is seated on a
stool at a counter where there are seven monitors and a
couple of keyboards and computer mice. He takes a drink of
beer and hits the escape key on the keyboard that is at his
fingertips. The monitors light up. On one of the monitors
is a map of spaceships crossing the skies. On another
monitor is a picture of an empty conference room. On another
monitor is the picture of a giant yellow envelope folder
like one might find in a file cabinet. On the folder there
is writing as though it has been written on by a black magic
marker. The writing on the envelope reads, "Witch Council
Minutes." Barnabus takes hold of a mouse and moves the
pointing arrow on the monitor to the folder. He clicks on
the folder. The folder appears to burst into
flames. In
its place are rows of pictures scrowling across the screen.
Two pictures begins to dominate the screen as they replace
the other pictures. One of the pictures is of young Billy
Bingo. The other picture is of the Legman, aka Iapetus.
Barnabus stands up from the stool. He stretches. It
shakes
his head.
BARNABUS HAZEL
Bette, why was the Witches Council
meeting about Billy Bingo and
Iapetus?
A older woman, BETTE RAMSEY (who is also Jossette Ogleby)
appears in the room. She kisses Barnabus on the lips and
then she backs away.
BETTE RAMSEY
The Witches Council has demanded
that Iapetus stay away from his
spawn Billy Bingo. They have gone
so far as to threaten to kill and
cage Billy Bingo if Iapetus does
not agree to their demand. Word is
a member on the board plans to have
Billy Bingo killed no matter what
Iapetus agrees.
BARNABUS HAZEL
And cage him?
BETTE RAMSEY
No. Not from what I have heard.
But my source would not even tell
me which council member.
Barnabus walks over to a jewelry case. He opens the
backside of the case and removes a ring. He and Bette look
at the ring.
BETTE RAMSEY
What are you planning?
BARNABUS HAZEL
Billy Bingo has powers that are his
own. They have just been locked.
BETTE RAMSEY
He has not been trained. Well.
Not this life anyway.
BARNABUS HAZEL
Remember when Billy Bingo was born
as Henry McCarty.
BETTE RAMSEY
William H. Bonney. Henry Antrim.
Kid Antrim. But mostly AKA Billy
the Kid. The then Wiches Council
had him killed on his 21st
birthday.
BARNABUS HAZEL
Exactly. And this was Billy the
Kid's ring. I think I shall give
this ring certain powers. And I
will make sure that Billy Bingo is
given this ring.
BETTE RAMSEY
And will the ring give him the
power to shapeshift into Billy the
Kid and his various alters from
that period.
BARNABUS HAZEL
Most certainly.
BETTE RAMSEY
Cool.
Hearthville Serial: Book 6 – Episode 11
FADE IN: